THROUGH THE TEAR
Trailer of a documentary by Bernard Giglio
Duration: 60′
Original in English
Written by Caroline Bittermann & Bernard Giglio
Production: Next Films
To be released in 2021
https://www.facebook.com/tttdoc
Abb. THROUGH THE TEAR. JARDINS D’AMIS – GATE IN RUIN (SAN), Poster/Invitation for a walk, an exhibition and a screening
on the occasion of an artist residency at Nirox Sculpture Park, South Africa, September/October 2019
JARDINS D’AMIS – GATE IN RUIN (SAN)
Working with the idea of the historical English Landscape Garden, where ruins often had critical political impacts expressing the rebellious opinion of the garden-owners through architectonical representations of a “better past”, I have constructed an artificial ruin titled “Jardins d’amis – The Gate in Ruin (SAN)”. Oscillating between a sculpture, a garden-architecture and text written on the ground, I am taking a wider perspective, though, going back to our origin, not only to the Western World’s origin, but to the “Cradle of Humankind”, in particular to our DNA and in consequence to the SAN people. They are supposed to be the first branch of the human genealogical tree from which all other humans have spread over the globe. My research of the SAN has led to a deepened understanding of the contradiction of their place as our genetic origin and the racist treatment of the few surviving SAN groups pushed to the Kalahari-Desert.
I emphasize these contradictions by writing” the word SAN in two different ways on the ground, with architecture and light, gaining and loosing its readability as the visitor and the sunlight are moving on. As for the architecture, its three letters S A N are built out of used construction-material, natural stones from the bush-land around and specific plants chosen by gardeners of the foundation (Michael Mlaula and others) who have helped to build the art-work. Their participation is part of the concept of the creation and they are invited to take care of the work and the plants now and in the future.
PISSING IN A RIVER. AGAIN!
A project by Kunstraum Kreuzberg/Bethanien. Artistic directors: Andrea Pichl and Stephanie Kloss.
17. November 2018 – 13. January 2019
Opening: Friday, 16. November, 7 pm
Patti Smith’s “Pissing in a River – Watching it Rise” (1976) stands metaphorically for resistance and rebellion. To begin with, the lyrics refer directly to intensive feelings of inevitability, uncertainty and vulnerability, which the musician transforms through a provocative and self-determined act of strength and courage. In this way, making a break with societal conventions leads to the self-empowerment of the lyrical protagonist.In the framework of the exhibition project Pissing in a River. Again!, 31 contemporary female artists from various generations show works from a range of diverse media, including videos, sculptures, paintings, photographs, and performances. The works grapple with social questions in diverse ways. Attributes such as strength, independence and decisiveness – ostensibly associated with masculinity – are thematically appropriated by the exhibition’s female artists to take on other characteristics.This approach is also taken up in the spatial concept of the exhibition, which was likewise conceptualised by the artists Stephanie Kloss and Andrea Pichl: fragments of a roof structure made of black sailing rope connect all exhibition spaces and artistic positions. In between, the proposed colour Cool Down Pink is applied as a critical commentary: the rose tint has a calming effect and de-escalates the potential for aggression according to psychological studies. Meanwhile, it also refers to traditionally feminine gender roles and norms in which resistant behaviour is not allowed any space – and has instead long been associated with hysteria. Pissing in a River. Again! celebrates the diversity of contemporary female artists who position their work intensively and offensively in an art world still dominated by masculinity – or who directly challenge this. At the same time, the project brings together a selection of female artists of various generations, mostly living in Berlin. With the support of a diversity of methods and materials and an extensive programme of side events, the exhibition teases out the rules of feminine self-determination: provocative, humorous, loud, and strong.
Artists: Caroline Achaintre, Yael Bartana, Caro Bittermann, Teresa Burga, Susanne Bürner, Keren Cytter, Natalie Czech, Tatjana Doll, Kerstin Drechsel, Valérie Favre, Berta Fischer, Laura Horelli, Nadira Husain, Anne-Mie van Kerckhoven, Stephanie Kloss, Folke Köbberling, Julia Lazarus, Hanne Lippard, Sarah Lüttchen, Inge Mahn, Andrea Pichl, Katrin Plavcak, Laure Prouvost, Sabine Reinfeld, Farzaneh Rosta, Katharina Sieverding, Céline Struger, Barbara Trautmann, Raphaela Vogel, Ina Weber, Ruth Wolf-Rehfeldt
Kunstraum Kreuzberg/Bethanien
Mariannenplatz 2
10997 Berlin
www.kunstraumkreuzberg.de
bethanien@kunstraumkreuzberg.de
Tel.: +49-30-90298-1454
Fax: +49-30-90298-1453
Opening hours: daily from 11am-8pm, entry free of charge
Wednesday, 11 July 2018, 6.30 pm
Integratives Bauprojekt am ehemaligen Blumengroßmarkt (IBeB)
Lindenstraße 90 / 91, Berlin-Kreuzberg
www.archplus.net
Participants: Verena von Beckerath, Caroline Bittermann, Giulia Bruno, Peder Bugge, Dania Burger, Anke Dorndorf, Jan Dunzendorfer, Beate Gütschow, Tim Heide, Christoph Heinemann, Susanne Heiß, Martin Fuller, Jinok Kim-Eicken, Armin Linke, Anh-Linh Ngo, Marion von Osten, Janine Sack, Barbara Schindler, Christoph Schmidt, Peter Spillmann, Rosario Talevi et al.
JARDINS D’AMIS : RANDONNEES
Aus dem Gartenarchiv der Caroline Bittermann
Artist-Enzyclopedia, 360 pages in colour, German/English
With texts by Christine Heidemann and Lucia Schreyer
Published by Salon Verlag [&] Edition, Cologne, 2015
Bookpresentations:
oqbo | paperfile on tour
POSITIONS Berlin Art Fair
Professional Preview: Thursday 27. September 2018 | 1 – 5 pm (with invitation only)
Opening: Thursday 27. September 2018 | 5 – 9 pm
Visitor’s info:
Friday 28. September 2018 / 1 – 8 pm
Saturday 29. September 2018 | 1 – 8 pm
Sunday 30. September 2018 | 11 am – 6pm
POSITIONS Berlin Art Fair | Booth E14
Arena Halle | Eichenstraße 4 | 12435 Berlin
Professional Preview | Thursday 14. September 2017 | 2 – 6 pm
Opening | Thursday 14. September 2017 | 2 – 10 pm
Opening hours | Fryday 15. September 2017 | 1 – 8 pm |
Saturday 16. September 2017 | 1 – 8 pm |
Sunday 17. September 2017 | 11 am – 6 pm
#TABS – Temporary Artist’s Book Shop/LAGE EGAL {OFF SITE}
Book Launch SHELF LIFE #13
Book presentation with some prints
From the special edition “Eutopic Dialogues”
Saturday, 23. April 2016, 7 – 9 pm
Linienstr. 141, 10115 Berlin
(Dokumentation LAGE EGAL…)
Friends with Books, Art Book Fair Berlin
Hamburger Bahnhof – Museum für Gegenwart, Berlin
Salon Verlag Cologne
11. – 13. December 2015
Opening 11. December 2015, 6 pm
oqbo | raum für bild wort ton, Berlin
Book presentation with some prints
From the special edition “Eutopic Dialogues”
With a concert by Catherine Lorent (GRAN HORNO)
Wednesday, 30. September 2015, 8 pm
(Dokumentation Galerie oqbo…)
Hochschule für Bildende Künste Braunschweig
Book presentation on the “Terrain vague”, invited by Ilka Becker
Saturday, 18. Juli 2015, 2 pm
MISS READ, Akademie der Künste, Berlin
Salon Verlag Cologne, hall 1
26. – 28. June 2015
Opening 26. June 2015, 5 pm
Universität der Künste Berlin
Book presentation, lecture: Women Rule the World
Thursday, 24. April 2015, 9 am
Art Cologne, Cologne-Deutz
Salon Verlag Cologne, hall 11.3, hallway B, booth 046
16. – 19. April 2015
Opening 15. April 2015, 2 pm
© 2021 Caroline Bittermann | Impressum/Imprint