„Die Stadt des Hirns – Topiary Slam“, Jointventure-Performance by Caroline Bittermann with Lena Shorno,
in the Joint-Venture-Performances-catalog, Cabaret der Künstler Zunfthaus Voltaire, Manifesta 11,
European Biennale for Contemporary Art, Zurich, Switzerland, 2016/18
ISBN 978-3-033-06351-8
„Ruinanzen – Der Tempel der Modernen Philosophie, Ermenonville“, image contribution by Caroline Bittermann
for the text „The Folly of Ruins“, by Grahame Lock, Rypke Sierksma, Hans Venema, in Pin Up, Magazine for Architectural Entertainment, New York, Issue 20, Spring Summer 2016
„Es geht um Malerei und einen Mehrwert für alle“, about the webproject „The History of Painting Revisited“,
Christoph Bannat in conversation with Caro Bittermann, Katrin Plavčak, Claudia Zweifel,
Von 100, Berlin, 128/100, 09/2016
Artist encyclopedia with 360 colored pages, with texts by Christine Heidemann and Lucia Schreyer,
translation into English: Jaqueline Todd, Matthew Partridge, Salon Verlag Cologne, 2015,
edition: 100 copies, with the special-edition „Eutopic Dialogues“ on demand
ISBN 978-389770-332-2
Exhibition catalog (with ill. “geheime gärten rolandswerth“ (Planttower) by Bittermann & Duka, since 2004 for “Skulpturenufer Remagen”, p. 9), Städtische Museen Heilbronn and Arp Museum Bahnhof Rolandseck,
Kerber Verlag, Bielefeld/Leipzig/Berlin, 2014
ISBN 978-3-86678-908-1
Exhibition catalog, 112 pages, with works by Caroline Bittermann, Bittermann & Duka, Peter Duka (1990-2013)
and texts by Oliver Kornhoff, Bernard Giglio, Susanne Prinz, Jutta Mattern, Gerrit Confurius,
published by Arp Museum Bahnhof Rolandseck, Salon Verlag Cologne, 2013
ISBN 978-3-89770-432-9
Metallbox with 12 postcards in silhouette carton of the “geheime gärten rolandswerth”,
designed by Bittermann & Duka for the “Skulpturenufer Remagen”,
Arp Museum Bahnhof Rolandseck, since 2004,
Photos: Wolfgang Heuwinkel, 2013
“Jardins d’amis – Gate in Ruin (SAN)”, statement on the garden art work by Caroline Bittermann,
with portrait-photo taken by Stefan Giglio (p. 84), Clam – Local Everywhere, Paris, Semestriel Nr. 25, 2012
Insert “The History of Painting Revisited” by Caro Bittermann, Katrin Plavčak, Claudia Zweifel,
for the catalog on the artproject “The Happy Fainting of Painting – Ein Reader zur Zeitgenössischen Malerei”,
developed and published by Gunter Reski and Hans-Jürgen Hafner,
Verlag der Buchhandlung Walther König, Cologne, 2012
ISBN 978-3-86335-670-5
„Die Dritte Kammer“ by Caroline Bittermann & Peter Duka and a text by Ludwig Seyfarth, (p. 34-39),
exhibition catalog for “Belvedere – Why is Landscape Beautiful?” (with Mark Dion, Cyprien Gaillard,
Thomas Ruff, Gerhard Richter, Uwe Henneken, Jussi Kivi, Beate Gütschow, et al.),
Arp Museum Bahnhof Rolandseck, Kerber Verlag Bielefeld/Leipzig/Berlin, 2012
ISBN 978-3-86678-566-3
“Coming Full Circle”, article by Daniela Göller on the garden artwork “Jardins d’amis – Gate in Ruin (SAN)”
by Caroline Bittermann for the permanent collection of the Nirox Foundation, near Johannesburg,
Southafrica, in Art Southafrica, Vol. 10. Issue 03, Autumn 2012
“Oubliettes”, design of the special supplement “Mehr Berlin” by Caro Bittermann und Peter Duka,
Text: Gerrit Confurius, with an introduction text by Nicola Kuhn, Der Tagesspiegel, Berlin, December 3d, 2011
Author Maria Christina Tangorra, with a contribution about „Die Dritte Kammer“ by Bittermann & Duka, (p. 188/89), Angelo Pontecorboli Editore Firenze, 2011
ISBN 978-88-97080-19-0
Exhibition catalog of about 560 Berlin artists and their audio contributions, Temporäre Kunsthalle Berlin,
Verlag der Buchhandlung Walther König, Cologne, 2010
ISBN 978-3-86560-755-3
“Jardins d’amis – Born (Treebaby)”, ink drawing by Caroline Bittermann, anonymous drawings archive,
art project by Anke Becker, exhibition catalog (Nr. 150/200), Kunstraum Kreuzberg, Blütenweiss, Berlin, 2009/10
Author Gabriele Bessler, with a text contribution on the curiosity cabinet „Follies – Ästuarien“ by Caroline Bittermann, (ill. p. 147) and “Die Dritte Kammer” by Bittermann & Duka, (p. 153), Reimer Verlag Berlin, 2009
ISBN 978-3-496-01402-7
“Jardins d’amis – The World after the Rain”, text (English and German) and image contribution
by Caroline Bittermann, Magazine Fairytale – Nature (Vier5), Paris, 2009
Collection survey and exhibition catalog on „Feedback I + II“ (with Bittermann & Duka, Günther Ücker, Jonathan Meese, Isa Melsheimer, Hamish Fulton, Peter Hutchinson, et al.), Richter Verlag Düsseldorf, 2009
ISBN 978-3-941263-08-6
DVD on the workshop „Kunst macht Schule – Natur(S)pur“, for students of Saarland schools
(with interviews by Vera Gliem with artists Caroline Bittermann, Seb Koberstädt,
Anne Kaminsky, Stefan Thater, et al.),
Ministry for Education, Culture and Science/ Ministry for Environment, Saarland, 2006
„Schöner Scheitern“ (Index 35), text-contribution by Caroline Bittermann on a stage essay by Sören Voima,
catalog on „Heimat Moderne, Experimentale 1“, Leipzig, 2005, publisher: Katja Heinecke and Jan Wenzel,
Jovis Verlag Berlin, 2006
ISBN 3-936314-79-9
„Die Dritte Kammer – geheime gärten rolandwerth“, image contribution by Bittermann & Duka, Skulpturenufer Remagen, Arp Museum Bahnhof Rolandseck (p. 151), Kunstforum International, Band Nr. 180, Cologne, 2006
Bittermann & Duka, artist book with a complete work survey on “Die Dritte Kammer”, with a text by Doris Krystof, translation into English: Stephen Reader, Bettina Deschler, with a hand-coloured print as special edition in circulation by 25, Salon Verlag Cologne, 2006
ISBN 978-3-89770-242-4
“Die Dritte Kammer – geheime gärten rolandswerth”, text contribution by Susanne Prinz on the garden artwork
by Bittermann & Duka, Magazin Garten + Landschaft, Callwey Verlag, June 2004
„Die Dritte Kammer – Die unsichtbare Fackel“, images and text by Bittermann & Duka, exhibition catalog for
“What You See Is What You Get” (p. 20/21), Kunstverein KISS e.V., Untergröningen, 2004
Bittermann & Duka, artist book, 30 colored pages on the public garden art work „geheime gärten rolandswerth“
for Skulpturenufer Remagen, published by Arp Museum Bahnhof Rolandseck, Reiner Speck and Gerhard Theewen,
édition séparée, Salon Verlag Cologne, 2003, edition: 1000 copies,
with special edition for copies Nr. 1-50: Original watercolour by Bittermann & Duka
ISBN 3-932189-43-4
“Die Dritte Kammer – bildhausworthain”, contribution by Bittermann & Duka, exhibition catalog (with Ludger Gerdes, Richard Long, Wolfgang Müller, Uwe Büchler, Hörner/Antlfinger, Anne und Patrick Poirier, Lili Fischer et al.),
Staatliche Galerie Moritzburg Halle, Landeskunstmuseum Sachsen-Anhalt, 2003
ISBN 3-86105-122-2
Publication on the the exhibition and the workshop „Gründung der Akademie“, Galerie der Stadt Sindelfingen, brandlhuber&kniess+partner, Akademie der Stadt Sindelfingen (with Bittermann & Duka, Alias, C. Dell,
I. Melsheimer et al.) + for the workshop „Political Landscape“, organised by brandlhuber&kniess+,
Bergische Universität GH Wuppertal, MAK Cologne, Arch+, (with Alias, Peter Arlt, Bittermann & Duka,
Arno Brandlhuber (b&k+), Mercedes Bunz, Martin Conrad, Christopher Dell, Diedrich Diedrichsen,
Brigitte Franzen, ifau, Atelier Lieshout, Isa Melsheimer, Slavoj Szîzek, et al.),
published by Verlag der Buchhandlung Walther König Cologne, 2001
ISBN 3-88375-484-6
“Die Gründung der Akademie”, Bittermann & Duka,brandlhuber&kniess+partner, ifau, alias, Isa Melsheimer,
Christopher Dell, Galerie der Stadt Sindelfingen (contribution to the urban project “Offene Räume/Open Spaces”, Stuttgart, p. 18), in “Schnellstmöglich Gegenwart!” article by Susanne Schindler and Kaye Geipel on “Kunst und städtischer Außenraum – Programme in Stuttgart, München, Berlin”, Bauwelt, Berlin, Edition 15/01, April 2001
Author Brigitte Franzen”, with a contribution on “Die Dritte Kammer” by Bittermann & Duka,
published by Christian Posthofen, Verlag der Buchhandlung Walther König Cologne, 2000
ISBN 3-88375-357-2
“Die Dritte Kammer – Handlanger des Möglichen”, contribution by Bittermann & Duka (concept text and images, garden project realised for the StadtkunstProjekte, Berlin-Köpenick) Wachsen-5, magazine for the KünstlerGärten Weimar, published by Barbara Nemitz, Verlag der Bauhaus-Universität Weimar, 2000
Bittermann & Duka, artist book, all works and a theoretical text by Bittermann & Duka, with an interview by Susanne Leeb, translation into English: Stephen Reader, Salon Verlag Cologne, 2000, ISBN 978-3-89770-081-9
With One-Of-A-Kind-Edition by Bittermann & Duka ” Computer Aided Painting”, watercolour on aquarelle-carton,
16 x 22 cm, framed, numbered, dated and signed, edition: 20, 2000
Buy online: https://artflash.de/bittermann-duka
„Von der Gründung der Akademie“, with brandlhuber&kniess+partner and Bittermann & Duka,
in: “Offene Räume – Open Spaces”, organised by Jochen Schneider, Christine Baumgärtner
on behalf of Kultur Region Stuttgart, Edition Axel Menges, 2000,
ISBN 3-930698-99-4
“Die Dritte Kammer – Der Aechte Blumist”, works and text by Bittermann & Duka (S. 126-29),
exhibition catalog “In Vitro Landscape” by brandlhuber&kniess+partner (with Meyer Voggenreiter,
Olaf Nicolai, Thomas Demand, Stepanek/Maslin, Vilém Flusser, et al.),
Edition weißenhofgalerie (Editor Christiane Paul), Stuttgart, 1999
ISBN 3-88375-387-4
“Das Falster Versuchsgelände der Galerie für Landschaftskunst, Hamburg”, with Till Krause, Anna Gudjonsdottir,
Florian Hüttner, Bittermann & Duka, Mark Dion, Dan Peterman, Holger Ventura, exhibition documentation ,
with a text by Bittermann & Duka, Fridericianum Magazin Kassler Kunstvereins and Kassler Kunsthalle,
Kassel, Nr. 3, Fall, 1999
“Die Dritte Kammer – Das Begehbare Bild”, garden art work for the KünstlerGärten Weimar by Bittermann & Duka, (with Cosima von Bonin, Gloria Friedmann, Till Krause, Michel Blazy, Paula Hayes, et al.), published by Barbara Nemitz, Bauhaus Universität Weimar, Fakultät Gestaltung/Freie Kunst, Universitätsverlag Weimar, 1999
ISBN 3-86086-115-x
“Die Fälscherwerkstatt”, text contribution by Bittermann & Duka for “Sondermodelle/Special Models –
Die 387 Häuser des Peter Fritz, Versicherungsbeamter in Wien”, illustrated book for the art project
realised by Oliver Croy & Oliver Elser, Hatje Cantz Verlag, Stuttgart, 1999
ISBN 978-3-7757-1031-2
“Die Dritte Kammer”, works and text contribution by Bittermann & Duka, (p. 187-198), Bd. 145,
Kunstforum International, Cologne, 1999
“Bittermann & Duka”, text contribution by Stephan Berg with graphic art “Die Dritte Kammer – Das begehbare Bild”
by Bittermann & Duka, (p. 118), Bd. 146, Kunstforum International, Cologne, 1999
Selected texts by Bittermann & Duka, 1995-98, Self Published, Berlin, 1998
„Der Riss im Asphalt – Die Dritte Kammer von Caroline Bittermann & Peter Duka“,
Stephan Berg in Neue Bildende Kunst, Zeitschrift für Kunst und Kritik, Berlin, 01/1998
Die Dritte Kammer – Rauschen”, works and text contribution by Bittermann & Duka, exhibition catalog
(with Lois Weinberger, Thomas Struth, Karin Kneffel, Carsten Höller, Mathew McCaslin, Olaf Nikolai,
Anne Loch, Martin Schwenk, et al.) Bonner Kunstverein, Bonn, 1998
“Die Dritte Kammer – Asphaltverschiebung”, Michael Krajewski on the exhibition by Bittermann & Duka,
Thomas Rehbein Gallery, Cologne, Das Kunst-Bulletin, 7/8, Zürichsee Zeitschriftenverlag, July/August, 1997
Bittermann & Duka, artist book with works and texts, translation into English: Roy Bicknell, photos: Achim Kukullies, Bernhard Schaub and Simon Vogel, published by Gallery Lumen Travo, Amsterdam, Thomas Rehbein Gallery, Cologne, Gallery Ursula Waldbröl, Düsseldorf, Salon Verlag Cologne, 1997
ISBN 978-3-932189-78-4
„Augenweiden (Ogenlust)“, an interview by Oscar van den Boogaard with Caroline Bittermann,
Metropolis M, Utrecht, Holland, Nr. 6, 1994
© 2024 Caroline Bittermann | Impressum/Imprint